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Bateman, Harbour, and Cardellini are formidable, though. Bateman's typical dry humor is perfect for Clark's understated scumminess, and Harbour is wonderfully warm. I wish Cardellini got more to do (which she might in the last three episodes). For now, Carol toggles between Clark's view of her as his fantasy woman and Floyd's view of her as a sexless nag. Somehow, Cardellini finds a middle ground that helps Carol feel more her own person, but in the scheme of the whole love triangle, Carol remains the most unknown of the points.
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Might the linkage between “stuff of iron” and “surety to those that are in doubt,” likewise, have an ancient pedigree via gestural traditions? Notable here is the fact that one of the oldest known fairy tales involves iron-working: “The Smith and the Devil.” A study from 2013 concluded that this story template, which associates iron-working skill with magic, was traceable back at least 6,000 years.
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